Editready time code info pro#
Editready time code info free#

I am not associated with Post Blackbox in any way, and in case you choose to avail of their services, please be informed that I’m not part of them any more.Jamie LeJeune wrote.Just want to point out that A7s files actually already do have standard SMPTE timecode and PCM audio. Now, Digital Dada is my new company, and avatar. Yes, I used to be part of Post BlackBox, but we parted ways some years ago. In case you’ve visited my old company site you’ll find mention of me in their ‘About’ page. However, if all other crew have finished charging and getting paid, and your budget has run out and now you’re into post, so that’s why there’s no budget, then also do write those 500 words. If you can make a 500 word write-up describing your project, and giving good reasons why I should not charge for it, I’ll surely consider it. Self-funded projects on water management, waste recycling, breast feeding, poverty alleviation, are some examples.

Editready time code info free#

I provide free services to any project that does something good for people. Also, delayed payments slow down the nation’s economy, and I don’t want to be responsible for that. If you are the 30-45 days kind of person/company, I’ll still speak to you, but my enthu level will drop. I like being paid within a week of giving you a bill. I avoid ‘package’ or consolidated payments as they are not fair to me or to you. The fees will be logical, predictable, measurable and verifiable at both ends. Means I will bill you per hour, or per day, per week, per month, or per GB, per TB, or per disk, per DCP, or per minute, even per second for some stuff, and so on. Most of the work I do is charged on a ‘per unit effort’ basis. Or even a system with all the above installed. Rent out Avid Media Composer or Premiere, or FCP 7, or FCP X, or Resolve system. Making Avid/Premiere Pro/FCP 7/FCP X EDL/AAF/XML that work correctly in Baselight.Ĭonverting entire projects from FCP 7 (because your editor still works on FCP7) to Avid (because this new editor won’t work on FCP 7), or Premiere Pro. Making sound AAF to send to ProTools, because your editor can’t manage. We can also provide LTO backups simultaneously.Įditing systems, edit project preparation, subtitle format conversions, DCP making, Blu-ray, DVD authoring.Ĭolour grading for short films, motion graphics and basic effects work.Ĭreation of valid EDL/AAF/XML from troublesome projects, relink of troublesome non-TC media, multi frame rate project fixing. We get the things like timecode, file naming, metadata, and other process right so that editing and later relinking for DI, sound and VFX works painlessly. We have faster systems and can do overnight dailies. If you’re managing the on set data backup yourself or with a basic data backup person, but can’t keep up with dailies and uploads, or have no clue what the producer or the channel really wants, then pass them on to me. I train them, observe them, monitor them, I make sure they do it right. I have film-school trained girls and boys who speak English, understand film-making and editing, and have spent 3 or more years in a classroom studying it. If you’re looking for ‘copy-paste’ services that attendants do for a nominal budget, then we don’t do that.

Editready time code info pro#

We also do, if needed, Avid/Premiere Pro project prep on location, basic editing lineup on set And we can provide this service in case you don’t have an account with any sharing service. We also upload for preview to Pix or frame.io or any cloud service of your choice. This, after applying standard LUTs for log footage, jam sync with audio, synced dailies. (means edit-ready files for Avid/Premiere/FCP editing). My teams and I manage fast, secure and verified backups of camera cards to multiple drive backups, make reports, creating dailies from original camera files. I could also figure out from reading their tech specs, what a Netflix or Amazon Prime really wants, what they will demand, what they may overlook, and and what they won’t tolerate. Because films made by happy and healthy people are often good and successful films. So that your team can work happily and get home on time everyday, take weekends off, and be healthy.

I could figure out an ideal workflow based on your shoot schedule, locations, logistics, delivery requirements. I can provide you advice on camera formats, drives, backup strategies, post systems, workflow.